Epiphany

(Vicenza)

(Kenya)

(Japan)

(Shikoku, Japan)

(Prince Edward Island)

(Shikoku, Japan)

(Kyoto, Japan)

(Gisenyi, Rwanda)

Parrots in the north

Ya, those are green parrots.

(London, UK)

Cloud blanket

(somewhere near Quilotoa, Ecuador)

New trees and a new park

So considerate to tell us what's behind the wall, no? 

(London, UK)

Dad and Grampie Go Canoeing

(Mud Pond, Maine)

Rachel Van Wylen - Artist in Residence

Thunderstorm in Sparkill, 2013, Oil on panel, 24” x 18”

Today on the blog we are very happy to present the artist Rachel VanWylen as part of our reinstated Artist-in-Residence feature. Rachel and I met at Gordon College several years ago, and she is currently Assistant Professor of Art at Spring Arbor University. This month Rachel has generously given us a glimpse of some of her latest work as well as a statement (below) about her new series set in New York and Michigan. Stay tuned for an interview in the next couple of weeks. For more of Rachel's work please visit her website.

"I started this series of landscape paintings this past June when I was doing an artist’s residency at the Vytlacil campus of the New York Art Students League, which is in Sparkill, New York, about forty minutes north of the city. The Hudson River Valley is a visually stunning area, and after about a week of staying indoors and painting portraits, I felt the pull of the landscape and ventured out with a plein air (portable, outdoor) easel to paint the area. The temptation in a situation like this is, at least for me, to be overwhelmed by history, to look at the paintings of the heroes of the Hudson River Valley school – men like Thomas Cole and Frederic Edwin Church - and see their paintings as the final word on the area. So it was with some trepidation that I set up the spindly legs of my old, borrowed easel and began to paint.

By necessity I worked quickly. Tides come in, thunderclouds gather, and the light constantly changes. For some paintings I could only work for a couple hours at a time, because I was trying to capture the look of the evening light right before the sun goes down. My tendency as a painter is to want to be exacting, but I had to learn to loosen up and use fast, gestural marks in order to capture my ephemeral surroundings. Ultimately, this proved a healthy exercise, and I realized if I used those few, expressive marks well, I could finish a painting more rapidly than I would have once thought.

When my month-long residency in New York came to a close I drove home to Jackson, Michigan. Unlike the Hudson River Valley, this is not a famous destination for painters, and so a part of me wondered how my landscape painting practice would fare outside of the aura of the Hudson.

I shouldn't have worried. Since getting home I have painted the Huron River, Lime Lake, and Cascades Park, all Southeast Michigan sites and each one arresting in its own way. My desire show nature in flux – rippling water, the setting sun, darkening skies – is sated here as well, and I look forward to continuing to paint this beautiful area."

-Rachel Van Wylen, September 2013

 Constitution Marsh, 2013, Oil on panel, 18” x 24”

  Bear Mountain, 2013, Oil on panel, 24” x 18”

 Pond in Cascades Park, 2013, Oil on panel, 18” x 24”

 Lime Lake Zephyr, 2013, Oil on panel, 24” x 18”

 Over the Huron River, 2013, Oil on panel, 18” x 24”

 Clouds Over Lime Lake, 2013, Oil on panel, 18” x 24”

 Sunset at Vytlacil, 2013, Oil on panel, 24” x 18”

 Evening on the Huron River, 2013, Oil on panel, 24” x 18”

Morning on the Hudson River, 2013, Oil on panel, 18” x 24”

Wings

(Rwanda)

Remise en lignes

 Several months ago on a flaneur-type walk I happened upon Galerie Felli and wandered on in to a surreal forest.  Quite the magical installation by Bertrand Flachot.  The transition from image to drawing, from photo to the work of ones hand, is something I personally find quite challenging.  So much easier to snap pictures like an energizer bunny than to create slowly with ones hands, and the contrast of time required for the product (however finished or unfinished) is striking.   Enjoy the trees.

(Paris, France)

 (source: http://www.bertrandflachot.com/remise-en-lignes)

 (source: http://www.bertrandflachot.com/remise-en-lignes)

                                                     (source: http://www.bertrandflachot.com/remise-en-lignes)